
Venice, 1596. Bassanio begs his friend Antonio, a prosperous merchant, to lend him a large sum of money so that he can woo Portia, a very wealthy heiress; but Antonio has invested his fortune abroad, so they turn to Shylock, a Jewish moneylender, and ask him for a loan.
The Merchant of Venice keeps every mind human — it fights its subject at zero distance. The story fights on E8/E9/E10 of the E0–E14 reality ladder.
Films fighting at the same level of reality, about the same things.
The same preoccupations examined at another scale — one mind versus a nation.