
In the midst of the wedding princess Miroslava is kidnapped by a dragon and carried away into his castle on the remote island. Mira left everything behind in the past - family, friends and groom. Now the only things she had were a stone cage and a mysterious young man named Arman ... but who is he and what is he doing on that island? Miroslava will know the truth too late: loving a dragon will reveal the bitter truth - love is scary.
In I Am Dragon, consciousness is carried by monsters and creatures — a plane of “dragon‑ritual romance”. The story fights on E8/E9 of the E0–E14 reality ladder, compressing love, fear, identity, tradition, otherness.
Films fighting at the same level of reality, about the same things.
The same preoccupations examined at another scale — one mind versus a nation.
Other films that move a human interior onto the same kind of thing.
Shrek (2001)consciousness in monsters · fairy‑tale swamp
The Nightmare Before Christmas (1993)consciousness in monsters · holiday monster town
How the Grinch Stole Christmas (2000)consciousness in monsters · Whoville holiday town
Hotel Transylvania 2 (2015)consciousness in monsters · monster hotel
What We Do in the Shadows (2014)consciousness in monsters · vampire flatshare
Wish Dragon (2021)consciousness in monsters · modern Shanghai with a wish dragonThe same preoccupations carried by a different kind of thing — grief told through the dead, an animal, a machine.
The Three Caballeros (1944)consciousness in animals · identity, love
The Secret Life of Pets (2016)consciousness in animals · fear, identity
Aladdin (1992)consciousness carried elsewhere · identity, love
Elemental (2023)consciousness carried elsewhere · identity, love
Lilo & Stitch 2: Stitch Has a Glitch (2005)consciousness in aliens · identity, otherness
The Book of Life (2014)consciousness in abstractions · identity, love