Sucks to be him.

Having grown sick and tired of his centuries as Dracula's lackey, Renfield finds a new lease on life — and maybe even redemption — when he falls for feisty, perennially angry traffic cop Rebecca Quincy.
In Renfield, consciousness is carried by monsters and creatures — a plane of “vampire underworld”. The story fights on E8/E11 of the E0–E14 reality ladder, compressing power, abuse, codependency, crime, immortality.
Films fighting at the same level of reality, about the same things.
The same preoccupations examined at another scale — one mind versus a nation.
Other films that change a standing rule of their world — ranked first by those bending it at the same rung.
Vampires (1998)alters at E6 · same rung · loose
Byzantium (2013)alters at E6 · same rung · loose
Highlander: The Source (2007)alters at E6 · same rung · loose
Renaissance (2006)alters at E6 · same rung · loose
Blade Runner (1982)alters at E6 · same rung · rigorous
Blade Runner 2049 (2017)alters at E6 · same rung · rigorousOther films that move a human interior onto the same kind of thing.
Underworld: Blood Wars (2016)consciousness in monsters · undead war
The Librarian: The Curse of the Judas Chalice (2008)consciousness in monsters · vampire-quest
Innocent Blood (1992)consciousness in monsters · vampire crime noir
Underworld: Evolution (2006)consciousness in monsters · vampire‑lycan war
Vampire Academy (2014)consciousness in monsters · vampire academy
The Invitation (2022)consciousness in monsters · vampire manorThe same preoccupations carried by a different kind of thing — grief told through the dead, an animal, a machine.
Dragon Ball Z: Dead Zone (1989)consciousness in aliens · immortality, power
The Monkey King (2023)consciousness in animals · immortality, power
Blade II (2002)consciousness in the dead · immortality, power
Avengers: Age of Ultron (2015)consciousness in machines · power
Avengers: Endgame (2019)consciousness in aliens · power
Dawn of the Planet of the Apes (2014)consciousness in animals · power