'Til death do they part.

Eddie and Venom are on the run. Hunted by both of their worlds and with the net closing in, the duo are forced into a devastating decision that will bring the curtains down on Venom and Eddie's last dance.
In Venom: The Last Dance, consciousness is carried by aliens — a plane of “alien symbiote conflict”. The story fights on E8/E11 of the E0–E14 reality ladder, compressing identity, otherness, sacrifice, militarism, exploitation.
Films fighting at the same level of reality, about the same things.
The same preoccupations examined at another scale — one mind versus a nation.
The Prophecy (1995)E7/E9 · rare rung · exploitation, otherness
Mars Attacks! (1996)E12/E14 · rare rung · militarism, otherness
Invasion of the Body Snatchers (1956)E13/E14 · rare rung · identity, otherness
Mothra vs. Godzilla (1964)E6/E10 · rare rung · exploitation, militarism
Asterix: The Mansions of the Gods (2014)E9/E12 · rare rung · exploitation, identityOther films that move a human interior onto the same kind of thing.
Status Update (2018)consciousness in aliens · symbiote‑host world
The Childe (2023)consciousness in aliens · alien‑symbiote chase
Species: The Awakening (2007)consciousness in aliens · alien‑human hybrid lab
Battle: Los Angeles (2011)consciousness in aliens · alien invasion war
Spinning Man (2018)consciousness in aliens · symbiote host world
Max Steel (2016)consciousness in aliens · alien symbiote heroThe same preoccupations carried by a different kind of thing — grief told through the dead, an animal, a machine.
Chip 'n Dale: Rescue Rangers (2022)consciousness in animals · exploitation, identity
Transformers: Age of Extinction (2014)consciousness in machines · exploitation, militarism
Guardians of the Galaxy Vol. 3 (2023)consciousness in animals · exploitation, identity
Hellboy (2004)consciousness in monsters · identity, otherness
Moon (2009)consciousness in machines · exploitation, identity
The Lost Boys (1987)consciousness in monsters · identity, otherness