American Vampires as only Stephen King could create them.

Anthropologist Joe Weber takes his son on a trip to the New England town of Salem's Lot, unaware of its vampire population. When the inhabitants reveal their secret, they seek Weber to write a bible for them.
In A Return to Salem's Lot, consciousness is carried by the dead — a plane of “vampire enclave”. The story fights on E8/E9/E10 of the E0–E14 reality ladder, compressing prejudice, immortality, religion.
Films fighting at the same level of reality, about the same things.
Other films that change a standing rule of their world — ranked first by those bending it at the same rung.
Vampires (1998)alters at E6 · same rung · loose
Beneath the Planet of the Apes (1970)alters at E6 · same rung · loose
Fallen (2016)alters at E6 · same rung · loose
Byzantium (2013)alters at E6 · same rung · loose
Vampires: Los Muertos (2002)alters at E6 · same rung · loose
Luca (2021)alters at E6 · same rung · looseOther films that move a human interior onto the same kind of thing.
Blade II (2002)consciousness in the dead · undead underworld
Young Frankenstein (1974)consciousness in the dead · reanimated monster comedy
Warm Bodies (2013)consciousness in the dead · zombie romance apocalypse
Sleepy Hollow (1999)consciousness in the dead · gothic colonial village
Candyman (2021)consciousness in the dead · cursed urban legend
Candyman (1992)consciousness in the dead · cursed housing legendThe same preoccupations carried by a different kind of thing — grief told through the dead, an animal, a machine.
The Twilight Saga: Eclipse (2010)consciousness in monsters · immortality, prejudice
Sausage Party (2016)consciousness carried elsewhere · prejudice, religion
Vampire Academy (2014)consciousness in monsters · immortality, prejudice
The Sorcerer and the White Snake (2011)consciousness in animals · prejudice, religion
Franklyn (2008)consciousness carried elsewhere · prejudice, religion
The Jungle Book (2016)consciousness in animals · prejudice