Fear comes home.

Parapsychologist Elise Rainier and her team travel to Five Keys, NM, to investigate a man’s claim of a haunting. Terror soon strikes when Rainier realizes that the house he lives in was her family’s old home.
In Insidious: The Last Key, consciousness is carried by monsters and creatures — a plane of “spirit‑realm horror”. The story fights on E8/E9 of the E0–E14 reality ladder, compressing fear, family, afterlife, possession, trauma.
Films fighting at the same level of reality, about the same things.
Other films that move a human interior onto the same kind of thing.
Antlers (2021)consciousness in monsters · rural-legend horror
The Deliverance (2024)consciousness in monsters · haunted home
Bagman (2024)consciousness in monsters · folk horror nightmare
Intruders (2011)consciousness in monsters · invisible horror
The Mummy Resurrection (2023)consciousness in monsters · demonic possession horror
Shelby Oaks (2025)consciousness in monsters · demonic-ritual horrorThe same preoccupations carried by a different kind of thing — grief told through the dead, an animal, a machine.
Brahms: The Boy II (2020)consciousness in objects · family, fear
Evil Dead Burn (2026)consciousness in the dead · family, fear
Annabelle Comes Home (2019)consciousness in objects · family, fear
Ghostbusters: Afterlife (2021)consciousness in the dead · afterlife, family
Ice Age: Dawn of the Dinosaurs (2009)consciousness in animals · family, fear
Five Nights at Freddy's (2023)consciousness in machines · fear, possession