Annabelle Comes Home (2019)
Possess them all.
Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home, placing her “safely” behind sacred glass and enlisting a priest’s holy blessing. But an unholy night of horror awaits as Annabelle awakens the evil spirits in the room, who all set their sights on a new target—the Warrens' ten-year-old daughter, Judy, and her friends.
In Annabelle Comes Home, consciousness is carried by toys and objects — a plane of “haunted artifact house”. The story fights on E8/E9 of the E0–E14 reality ladder, compressing fear, possession, religion, family, supernatural.
Same rung, same subject
Films fighting at the same level of reality, about the same things.
Also hides consciousness here
Other films that move a human interior onto the same kind of thing.
Brahms: The Boy II (2020)consciousness in objects · possessed doll horror
Annabelle (2014)consciousness in objects · cursed doll horror
Monster House (2006)consciousness in objects · haunted house
Dead Silence (2007)consciousness in objects · cursed doll horror
Mirrors (2008)consciousness in objects · mirror-demon realm
Goosebumps 2: Haunted Halloween (2018)consciousness in objects · haunted toy worldSame subject, different mask
The same preoccupations carried by a different kind of thing — grief told through the dead, an animal, a machine.
Paranormal Activity 4 (2012)consciousness in monsters · family, fear
Annabelle: Creation (2017)consciousness in monsters · fear, possession
Insidious: Chapter 2 (2013)consciousness in the dead · family, fear
The Grudge (2019)consciousness in the dead · fear, possession
Fallen (1998)consciousness carried elsewhere · possession, religion
Ice Age: Dawn of the Dinosaurs (2009)consciousness in animals · family, fear
