Some films move minds onto things that don't have them — animals, machines, toys, the dead — then use that displaced universe to examine one or two aspects of reality at a distance, or to imagine the emergent patterns a consciousness in a reality like that would experience. Think of E0–E14 as zoom settings on a camera pointed at reality — E0 is physics itself, E8 is a single mind, E12 is a nation, E14 is all of humanity at once. Every film below is mapped: the substrate wearing the mask, the zoom level where its story really happens (not where it's set), and the abstractions the storyteller compressed its world into. Click anything to drill down.
Transposed — the film moves consciousness onto something that doesn't have it in reality: animals, machines, toys, the dead. Zero-distance — every mind stays human; the film faces its subject directly, no disguise. Reality altered — the film changes a rule of reality itself (time loops, no death, erasable memory) and traces what follows.
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Delivered via Substack · see our privacy policyEvery film below has been read for where its story fights on the E0–E14 reality ladder and what it hides consciousness inside. These are entry points, not a ranking — the full catalog is filterable above.
Invented beings that carry a human mind at a distance.
Human interiority worn by something non-human and alive.
Ghosts, revenants, and the persistence of a mind past its body.
Minds shaped by a world that is not ours.
Minds carried by something built — androids, programs, ships, cities.
Toys, dolls and things that should not be able to want anything.
Transpositions that fit none of the usual substrates.
Emotions, ideas and forces given an interior life.
Stories that hand a human interior to something that is not human, and use the distance to say something that could not be said directly.